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Jonathan
Barclay, Chairman
Jonathan is former Senior Partner of Mills & Reeve, the largest law
firm based in the East of England, and has a long involvement in the arts
in the region. He is now a business consultant for Mills & Reeve.
Having joined Britten Sinfonia’s Board in 1998, he became its Chairman
in 2001.
Charles Rawlinson, Deputy Chairman
Charles trained as a Chartered Accountant after gaining a MA from Jesus
College, Cambridge. He became Joint Chairman of Morgan Grenfell &
Co. merchant bankers and has been Chairman of several other companies.
Charles is a founder director of Britten Sinfonia.
Dr Mary Archer
Mary is Chairman of Cambridge University Hospitals NHS Foundation Trust.
She is also President of the Guild of Church Musicians, the National Energy
Foundation, the UK Solar Energy Society and the Cam Valley Forum.
Tim Baker
Tim is an independent marketing consultant, based in Cambridge. He specialises
in pricing policy and marketing planning. Previously he was Marketing
Manager at the Scottish Chamber Orchestra and Head of Marketing at the
LSO. He joined the Board in 2003.
Stephen Bourne
Stephen trained as a chartered accountant and has held managerial roles
in various industries including publishing and printing. Having joined
Cambridge University Press in 1997 he became Chairman of its printing
business in 2000, and Chief Executive in March 2002. Stephen joined the
board in 2003.
Prof. Germaine Greer
Writer, academic and broadcaster, Germaine is best known for books such
as The Female Eunuch and The Whole Woman. She is currently Professor of
English and Comparative Studies at Warwick University.
Amyas Morse
Amyas joined the Ministry of
Defence in July 2006 as Defence Commercial Director. Previously he was
the Global Managing Partner (Operations) of PriceWaterhouseCoopers.
He is involved in the Aldeburgh
Festival and he and his wife are music enthusiasts. John Stephens,
OBE
John's wide experience in music education includes appointments
as HM Inspector for schools, Staff Inspector for Music for Inner London
and Head of Music Education at Trinity College of Music. Currently he
advises orchestras and opera companies seeking to extend their educational
activities.
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